The Best Basic Supplies for Painting with Wool

Have you ever wondered what wool to use for your needle felted pictures or portraits? Or maybe you’d like to know more about fabrics or felting needles? Well look no further, friend. The following is a list of my favorite (and what I consider the best) supplies. These are the materials I use every day for my fiber art, in my workshops, and they’re the materials that will make learning and practicing your painting with wool techniques much easier!



I use short-fiber, carded batts whenever possible. The chopped fibers make creating small details a breeze, and blending colors with shorter fibers turns out beautifully. Try these:

MC-1 Fast Felting Batts from Living Felt

Short-Fiber Merino Batts form Living Felt

Maori Carded Batts from Dyeing House Gallery

Note: I also use merino top, corriedale, and pretty much any other wool fiber if the color is necessary. I make the wool work if I need to. I’ll make a future post about how to incorporate longer fibers (like roving and top) more easily.


I have the most experience and success using felting foam pads under my work. Often, I get a large size and cut it down to half or smaller, and I work the entire surface of both sides. Make sure your foam is at least 1.5 inches thick to allow enough room for your felting needle to enter and exit the pad safely. Here are a couple options:

Earth Harmony Needle Felting Foam from Living Felt

Needle Felting Work Surface from The Woolery


There is a large range of sizes and styles of felting needles, but I usually stick to one—size 38 Star. (In case you’re a new felter, the number refers to the gauge of the needle, and the star refers to the shape of the needle tip. You’ll also see triangle, spiral/twist, reverse, etc.) A 38 size needle is a middle-of-the-road gauge (needles come in size 32-42), so it holds up well to all the stabbing you’ll need to do. It doesn’t leave large holes behind, but if you do want to minimize needle marks in your finished piece, grab some 40 or 42 triangles, too.

Felting Needles from Living Felt

Felting Needles from Weir Crafts


Many different fabrics can be used as backgrounds for your wool paintings. My advice? Test it! See how it holds up to the felting needle and how easily the wool interacts with the fabric. In my opinion, 1mm thick pure wool felt is the easiest to use, especially for beginners. But if you want to experiment with other fabrics because you like the way they look, please do!

Wool Felt by the yard from Weir Crafts

Wool Felt Sheets from Living Felt

Linen by the yard from Debbie’s Porch Etsy Shop


If you’re familiar with my method of image transfer (found in my e-course and my book), you know that I use a gel pen to mark on fabrics. I always turn to the same kind, plus my students use these in felting workshops.

Black Pens for lighter fabrics

White Pen for dark fabrics

These supplies will get you on the right track in your painting with wool adventures! I’ll continue at a later date with more of my oft-used studio tools and supplies. Stay tuned! In the meantime, let me know if you have any questions.

My first solo art show!

Last fall, I was invited to show some of my work at the Historic Arkansas Museum in Little Rock. So for the last four months, I've been working on creating thirty animal portraits.  THIRTY.  Each animal is either someone's pet, my pets or animals that I had the pleasure of meeting or working with when I was working as a conservation educator.  Each portrait was a labor of love.  I crammed as much detail in each to create the best likeness possible with this medium, and I am SO proud of each one.  Eventually, I'll add each of these to my portfolio. But for now, I'm wrapping up the last two portraits, and I'll be dropping off all the pieces this weekend.  There's an opening reception on May 12 for my exhibit plus another collaborative collection, and all the details are below (and you can join the facebook event here.) I'll take pictures of the show and share once it's up.  PS: There will be a handful of pieces for sale!


Historic Arkansas Museum May 2017
Sketchbook Project - Week 52 and Final Reflections
This week I wanted to created some "best of" pages. For example, I love painting food, so obviously a piece of fruit was necessary.  I like surprising patterns, so I painted creek bed rocks full of color inspired by a hike the previous day.  I wanted an animal in the mix, and I saw a kingfisher on a Christmas day drive, so I really wanted to add that to my sketchbook. The last page is an homage to the tools and supplies I've been using all year--a bit more on that below.  Have a look at my final pages of the year, and then continue on to read about my reflections for this project.
Left: Acrylics                     Right: Watercolor and Gelly Roll Pen
Watercolor, Micron Pen Colored Pencil

Visit weeks 1-52 of the project here.

Why a Sketchbook Project?
My year began with a blank sketchbook and no intentions of making my sketchbook art a public project.  My only goal was to add something (anything, really) to a sketchbook in order to fill it. I've always had a pile of sketchbooks that have just a few pages with drawings, but none that were full.  For some reason, I would use a few pages and then move on to another book.  But, I wanted a sketchbook full of art. To make the project "easy", I didn't make any sort of rules.  I didn't have to add a full page each day.  I could just add a small doodle if I wanted. But small doodles apparently aren't my style.  Each day, I ended up filling a whole page or an entire two-page spread.  The sketchbook I started with (a Moleskine Art Plus sketchbook) has 81 pages, so it only took two months to reach my original goal of filling one book.  After the first book was full, I just continued into the next one, eventually filling seven sketchbooks. As I mentioned earlier, this wasn't going to be a public project, but I posted a photo to Instagram, asked for opinions, and a public project with built-in accountability was born.

When I peruse the finished books and flip through the pages, I can remember general feelings or even details of what I was doing, where I was, maybe what was on the tv, what podcast or music I was hearing. Sometimes these moments are infused into the art.  It's kind of a crazy feeling to be taken back to that specific moment, but flipping through the pages does that for me. In a way, these pages serve as a journal.  I'm not a writer, but I can throw some feeling in the form of color and strokes onto a page and remember what was going through my mind at the time.

When I began this project, I did not have much confidence in my artistic ability with other mediums. Aside from felting and working with wool, I just never invested the time in other mediums.  I felt like such a newbie with everything. But with practice, I had (what I would consider) success with my most used mediums of watercolor, colored pencil and acrylic paints.  Before this project, I had never even painted with acrylics.  As it turns out, I love them.  Diving in to a new medium is daunting with no experience and a perceived investment, but I've learned that jumping into the shallow, less expensive end of the pool is just fine. To explore acrylics, I bought an inexpensive set with a large range of colors in small tubes, and these are what I'm still using.  I've had to buy another tube of white (if you paint, that's likely not a surprise), but I'm excited to explore higher quality paints when these begin to run out. I'm also ready to invest in better brushes.  But for this project, a super inexpensive set ($8 for 12 brushes) and a $3 plastic palette were the only additional tools I needed to give acrylics a fighting chance.

Things that helped me keep my commitment:
-I found a sketchbook that I liked and continued with that brand for the whole project.
-The sketchbook was on the small size--great for not having to invest a huge amount of time and for traveling.
-Keeping an album on my phone of favorite photos, subjects or screenshots for inspiration.
-Being okay with the idea that some day's projects will be random lines or blotches of paint.
-Being okay with going back to a page to add or rework in some way. Art is not permanent, and these are my books, and I'll do what I want.

Struggles I encountered (because it wasn't all rainbows and glitter):
-Lack of time--especially toward the end of the year when I was prepping for multiple shows.  Occasionally, constraints on time made this project stressful, an unfortunate but usually avoidable problem with proper time management.
-Lack of ideas or inspiration to even create art--this is why sometimes the pages are plain, or simple, or messy. Because I needed to get something down on the paper, and anything would do when I felt very unmotivated.
-Failed ideas--sometimes an idea wouldn't pan out. Sometimes my abilities failed me.  Sometimes I left the failed piece, and sometimes I covered it completely, like it was never there.
-Lack of daylight in the winter (for filming flip-throughs).
-Sticky pages (If facing pages were both covered in acrylic paint, they'd stick together. I keep a piece of paper between them.)

Supplies I used throughout the year:
Moleskine Art Plus Sketchbook
Sakura Koi Watercolor Pocket Field Guide Set of 24 (Most-used medium by far)
Pelikan Gouache Pan Set of 24 (surprisingly delightful set)
Crayola Markers
Copic Markers (only twice because they bled through the pages)
Watercolor Colored Pencils (two or three times)
Mechanical Pencil
Art Gum Eraser
Prismacolor Pencils
Dick Blick Acrylic Paints
Japanese Brush Pen (until it ran out of ink)
Micron Pens
Gelly Roll Pens
Graphite Pencils (once, twice maybe)
Gold Leaf (once)
Scissors & Glue Stick (once)
Assorted brushes for watercolor and acrylics
*I'm probably forgetting a few things, but this is likely 98% of what I used all year.

So, what benefits have I gained from this project?
First of all, the blissful feeling of accomplishment of having completed a daily project for an entire year is wonderfully rewarding.  I'm SO proud of myself.  But this project has served me in many other ways. I got to spend time creating art for myself and built my skills in other mediums. I've discovered new (to me) mediums. I realized my penchant for realism in art.  An unexpected outcome is that I've become a more careful observer--of people, of my environment, of color.  I'm sure this is a result of those days when I'm scanning for an idea or banking ideas for future use.  

Where do I go from here?
You might be wondering if I'll be continuing this project into 2017.  Yes, I will.  BUT, I'm not holding myself to a daily commitment. Right now, I can't imagine not keeping a sketchbook and adding to it regularly.  I feel it's likely that I'll be doing this for the rest of my life. As I've mentioned before, daily sketching is time consuming, and right now I've got a few other (very important) projects that need all the time I can give them. But rest assured, I already have shiny new sketchbooks on hand (one of my regulars, one a bit larger, plus a few that I've had lying around that need some love), and my art supplies will never sit idle for more than a few days. I've been sharing my flip-throughs on Instagram every Monday, and those posts are hugely popular.  I hope to share these again in 2017, at least on a monthly basis, but hopefully more frequently.

Because of this project, I will likely be expanding on some of my favorite subjects and creating small series of paintings (actual paint even, not wool). Obviously, I'm going to be creating more food art, and I really loved the illustrative quality of pen & ink with watercolor, especially for plants and wildlife. I also hope to explore oil paints soon (more food art? lol) and working on my realism abilities in all mediums. I also plan on building up the Fill Your Sketchbook community and launching that newsletter with prompts and ideas very soon.  Join here if you'd like.

I appreciate the support you've given me with the project.  Your words of encouragement, your likes and shares on social media, your expressions and stories of your own sketchings mean the world to me.  If you've been considering starting a project like this, I definitely recommend it.  ANY time you invest into growing your artistic side will benefit you immensely--I truly believe that.  If there's anything I can do to help you on your journey, please don't hesitate to ask! Now, go Fill Your Sketchbooks!!

Sketchbook Project - Week 51
I rediscovered my tubes of watercolor paints this week, so I set aside my travel set of paints and waterbrush and played with more saturated colors and fancy brushes. I'm not sure why I didn't use them for my sketchbooks before this--probably just the idea of having to use a larger palette was a bit off-putting. But I had fun regardless, and the tube watercolors will be staying close-at-hand from now on.

Check out Weeks 1-50 here.

Left: Crayola Marker           Right: Watercolor

Left: Watercolor              Right: Watercolor and Micron Pen

Sketchbook Project - Week 50
WEEK FIFTY!! I can't believe the end of this project is right around the corner.  I'm excited to reflect about the benefits and challenges of a project like this, but I'll save that until the very end.

This week, greens dominated my palette again.  The sunset was stunning in person and this painting does it no justice at all.  I had fun with bleeding watercolors in the fungus painting.  And it's been a while since I've painted food, and since I'm on a green kick, the bell pepper was a no-brainer.  Enjoy!

Left: Colored Pencil                        Right: Micron Pen
 See the whole project here.
Needle Felted Holiday Gift Pouch DIY
Hey friends! I've got a quick and easy tutorial today to help you personalize your gifting this holiday season. You can use this technique to add any design--I chose a snowflake for mine.

Here's what you'll need:
-Cotton drawstring bag
-Felting needle
-Small foam pad (make sure it fits inside your pouch)
-Small amount of wool (I've chosen the brightest blue shown for my snowflake)
-Ruler or straight edge
 Use your straight edge and pencil to make your main branches of the snowflake.  You can also just eyeball your felting and skip this step if you're confident in your line-making skills.
 Once all your lines are drawn, slide your felting pad into the pouch. 
 Make sure your design is centered over the felting pad.

 We'll be working with small amounts of wool at a time.  Pull off little chunks as you go.

 I like to "measure" my wool pieces by holding them next to the line I'm about to felt.  Keep in mind that it's easier to add wool than tear off extra or take it away.

Anchor the end of the wool piece with a few pokes of your felting needle and follow the length of the snowflake line. 

Tip: If you felt down a piece of wool but decide that you'd like to move (or remove) it, you can easily pull it back out--no worries.
 Once all your branches are felted, it's time to add the smaller branches.  Add a "v" shape to the end of each branch.
 Next add a larger "v" on each branch closer to the center.

 When making the adjacent lines, connect them where they meet in the middle.

 Continue to connect each "v" all around the snowflake, creating a beautiful diamond pattern in the center.

 Now is the time to tuck in stray fibers and clean up any super fuzzy lines.

 Carefully lift your snowflake design from the foam pad and remove the pad from the pouch.
You're finished! You can gently iron your design or leave it a bit fluffy.

Now stuff your gift pouch full of goodies and share some joy! Let me know if you give this diy a try, and have fun!

Sketchbook Project - Week 48
This week felt like a complete creative rut for me. I spent so much energy during the last month or so prepping for craft shows, I think my creative juices went on vacation! I wish I could go, too.  But alas, two more shows over the next two weekends will keep my fingers busy.  Hopefully some creativity decides to visit me soon!

See previous weeks here.

Watercolor and Micron Pen
Left: Watercoor and Micron Pen                             Right: Watercolor
Watercolor and Micron Pen

Sketchbook Project - Week 47
Just some quick notes today: I LOVE the color of persimmons.  I enjoy the contrast of black on creamy pastels.  Pink makes me happy, and I make a mark using every sketchbook medium.  I created quite a few pizza hoops, so I also made some very simplified pizzas in watercolor.  Blue swirls to kill time. Cookie cutter houses with a twist. I ate (and bought) a lot of popcorn over the weekend.


Watercolor and colored pencils
Acrylic, Watercolor, Watercolor pencil, colored pencil, crayola marker, highlighter, gel pen, gouache
Left: Watecolor and gel pen                        Right: Micron Pen

Sketchbook Project - Week 46
My pages this week included more color play and ideas for future wool paintings.  The toucan will definitely be turned into a felted piece this week--I've been wanting to felt this bird for a long time, and what better time than craft show season?  The purple to sienna brown vertical column was an attempt to capture the color of the sunset and auburn leaves from that night. I was treated to a beautiful scene on a drive here in Arkansas that night, and though I didn't have time to capture details, capturing the overall colors was still satisfying. On Saturday, I taught a workshop in St. Louis, and on our 5.5 hour drive, we so SO MANY hawks, so I thought a messy tree with a hawk silhouette would be quite appropriate.  And then the last pages, the abstract botanical, was inspired by the shapes and colors that I've been attracted to lately.

Watercolor and Micron Pen
Left: Watercolor                              Right: Watercolor and Gel Pen
Both Sides: Watecolor
Watercolor and Micron Pen
Watercolor and Gel Pen
See all weeks here